This week Scott and Todd talk about Halloween, what there’s were like as kids; why cereal sucks today (Cracker Jacks too!); and of course Kevin Spacey. All this and Scott tells us what he wants his last three words to be.
And here we arrive at the final proper entry in the F13 series. I decided not to include Freddie VS Jason or the F13 remake because they weren’t direct sequels. For those interested however, I thought F VS J was a lot of fun with some great over the top gore, and the F13 remake was awful, and shit all over the original. And if nothing else, all the sequels have made me appreciate the original F13 all the more (Kevin Bacon’s penis aside).
I suppose there were better ways to end the franchise than launch Jason into space, but when you get to the tenth entry, good ideas are hard to come by. That said, Jason X is far more entertaining than it has any right to be. Please, don’t mistake entertaining for good, as that would be a mistake-but in comparison to Jason Goes to Hell, this is a Fellini quality film. After all, David Cronenberg makes a cameo in it, so that counts for something (to me anyway). And as I should have said from the very beginning of this series, These are my opinions only. If you like what I didn’t, that’s great! Movies are subjective and all I can do is give my reaction to them. Many times they seem contradictory, but that’s part of being human. Anyway, let’s lift off!
It’s 2008, and there’s two things that may surprise you. The U.S. Government has captured Jason and holding him in a dank, damp cellar, at a compound in Crystal Lake. Why there would be a government installation there is anyone’s guess, but David Cronenberg is the head of it, so it’s all cool. Scientist Rown wants tofreeze dry Jason, however Cronenberg and company have other plans to study him and adapt his cell regeneration if possible. When they enter the area Jason is kept, they discover Jason has gotten loose and killed the guard on duty. Pretty soon, everyone but Rowan is dead.
She leads him on a chase and eventually traps him in a cryofreezing unit. Before she can escape, Jason punctures the until and manages to stab her, so they’re both frozen like some Birdseye veggies.
Almost 450 years later 3 students and their professor are on an expedition to the Crystal Lake building. Despite the fact no one lives on earth any longer, it having become too polluted, they still do some excavation. They find Rowan and Jason, and are excited by the find. After they bring them back to their ship they begin the process of thawing out and reviving Rowan (Jason being a lost cause they surmise). She’s brought back using nanotechnology, and also has her wounds healed as well. Jason is left in the morgue where he’s about to undergo an autopsy.
This leads up to the first kill on the ship, and probably the best of them all. Mr. V comes to life and sticks the techs head in some cryo freeze unit until her entire head is frozen, and then wham! Smashed against the counter. How Jason knows what it is and what it does though, is anyone’s guess. Apparently he’s not as stupid as we assume (fair to say, Jason’s smarter than most of the screenwriters).
There’s a minor subplot about the professor not wanting Jason dead because he’d be worth a lot of money, and he needs that dough. A security team is sent out to neutralize him, and as it goes, they’re all killed save the leader who shows up later at a most convenient time.
The more Rowan warns about Jason’s danger the less people seem to listen and the more chances they take. Even as they’re picked off one by one, no one really listens to Rowan. In space no one sees you do stupid things. The Android with the ragtag bunch of survivors gets retrofitted with some kickass power and that’s exactly what she does, kicks Jason ass. Then she does what I’ve finally waited for someone to do in every sequel-shoot him in the legs. Cut them off, kneecap him, something to at least slow him down.
They leave the Jason chunks where they are, and somehow the nano bugs come and not only put Jason back together but make the parts of him missing, metal-so he’s indestructible. The uber Jason while a ridiculous concept looks bad ass, so it’s only natural he die in a bad ass way, hurtling towards the earth and burning up on entry, only for the remains to land by, you guessed it, Crystal Lake.
Look, I’m not going to pretend Jason X is anything great, as it’s not. In fact, it’s pretty ridiculous, however it has one thing going for it the previous two didn’t: truth in advertising. We barely saw any of Manhattan and none of Hell. 95% of the movie is actually in space. Side note, simply being able to get a job that allows you to go to space doesn’t mean you’re smart enough to not get killed. Jason has always been an equal opportunity killer. Jason X doesn’t pretend to be anything other than what it is, a goofy roller coaster ride that doesn’t take itself seriously. It’s a good looking film, with some-not all-better than average acting, and a self referential script. If anything, it reminds me of the straight to VHS scifi movies I saw in the 80’s.
Why do I like this and not Jason Goes to Hell? Because X respects the source material, while Hell really shit all over it. You can take a franchise in different directions without retconning it the way Hell did. Yes the whole government installation and Jason being captured is ridiculous, as is his being made into an uber predator; but I was able to buy that more than anything in the previous film.
Jason X gets 6.5 machetes from me. Half a machete taken away for sending him to space.
And there we go, all ten movies in the F13 series. I was surprised by some, disappointed by others, and found some scary. All in all it’s one of the more consistent franchises of horror. Nothing ever came close to the first movie in terms of scares or surprise, though I think 2 came the closest. I also think it’s the one series that gets the least respect. Sure everyone loves Jason-the character, but the movies still have a less than positive reputation. Even 37 years after the original they get no respect. And maybe, just maybe, that’s the way it’s supposed to be.
It’s our Halloween show where Todd and I talk about our favorite movies that we can’t do without on Halloween. Not the best or the most favorite, but the ones that evoke the spirit of Halloween for us like no other!
This may be the shortest essay of the bunch, because the more I think about this piece of shit movie, the angrier I get that I wasted 88 minutes of my life having to watch it again. Very few movies get me that angry, because I usually stop watching and go onto something else. I was tempted to here, but wouldn’t have felt right, writing about it.
My good bud and cohost of Mad As Hell, Kyle Fulton and I talked about the F13 remake a few years back. He liked it, I thought it was awful. Everything I disliked about the remake I disliked about Jason Goes to Hell. With a script co written by Jay Huguely (who had a string of hits under the name Cledus Maggard and his Citizen’s Band in the mid 70’s), and directed by 23 year old Adam Marcus, Jason Goes to Hell is not only the worst movie in the franchise, but one of the worst movies ever made. Were it not for one sequence set in a diner about ¾ of the way through the movie, I’d have nothing positive to say about it. Alright, let’s do this.
If you remember, in the last movie, Jason Takes Manhattan, Jason is killed by toxic waste and turned back into a little boy. Jason Goes to Hell ignores that, and just about every other piece of canon and marches to the beat of its own drum. Meaning, they made crap up as they went along. WE open up with a woman heading to a cabin in the woods. Needless to say Jason pops up, and chases her around. At one point they get to an open area and all these flood lights pop on, and a SWAT team is there and shoots him about a million times and then blows him up for good measure. His head and heart remain intact if not where they should actually be located.
He’s taken to the morgue where there’s security, in case he rises up I suppose or someone tries to steal his remains. As the medical examiner is doing his job, he starts to examine the heart which not only starts beating, but hypnotizes him into taking a bite out of it like MacGruff took one out of crime. This somehow transfers Jason’s soul into the coroner who goes on to kill his assistant and the two security guards.
Not surprisingly, he heads back to Crystal Lake, kills three people he finds there, and it’s then we’re introduced to a Jason hunter, named Creighton Duke-I call him asshole for short. It’s through him we find out that Jason has a half sister, and only someone related to him by blood can kill him permanently. Now it’s bad enough New Blood added the supernatural aspect to him, but now we have him as a body thief not to mention the family aspect. Excuse my French, but fuck that. Look, I’m not a stickler about lore. Anyone who listens to Imaginarium knows that. However, when you change everything so much that it barely resembles what it is supposed to be-then we have a problem. This reimagining is pointless and serves only to tell the story that the writers want to and fitting Jason into it somehow.
Most of the rest of the movie is spent with Jason hopping from body to body as he tracks down his sister and her daughter so he can be reborn. Oh and the way he switches bodies, is he [ukes what looks like a bloody turd into someone’s mouth. Considering what a shit pile the movie is, there’s no surprise that’s what they chose to use as the vehicle for the body jumping.
Earlier said there was only one thing to recommend about the movie, and I take that back. There are three, the diner scene, the end credits, and seeing Leslie Jordan out of his element. So let’s talk about that diner scene. Leading up to the final confrontation everyone who hasn’t been killed yet seems to end up there. Jason flits through a couple of bodies in the movies only truly somewhat scary scene. It’s filmed in partial dark, with lots of blues, and it actually works in creating some atmosphere. Sadly Leslie gets his head dunked in a fryer, but it’s always a lot of fun to see him on screen.
Now, the ending. Or should I say the final shot. This ridiculousness gets wrapped up, Jason apparently is sent to Hell, though we never even see the Devil’s playground, which is even more disappointing than sapending only 30 minutes in NYC when he goes to Manhattan. We do see these twisted arm tentacle things popping up out of the ground dragging him into a pit, so I suppose technically we’ve seen some of Hell’s minions. Once Jason is gone, and before the relief of those end credits, we see his mask laying in the dirt, and then they rip off Carrie’s end scene and have an arm shoot up and drag the mask under-and it’s Freddie Krueger!
Bullshit. As I said at the beginning, I never feel truly angry by a movie, I mean it’s only a movie, but the utter lack of care in this installment makes me want to punt kittens. And you know how much I love cats. Yes they were setting up the Freddie vs Jason movie but that would be a decade later, meaning we’d have to have one more sequel for me to sit through, where Jason goes to outer space.
I feel sorry for Kane Hodder. Here he is, one of the best actors to play Jason, yet he’s saddled with some of the weakest entries in the series. But hey, a paycheck is a paycheck, right?
Jason Goes to Hell: The Final Friday gets half a machete from me. The diner scene saved it from getting 0.
Let me just get this out in the open right now. I really enjoyed Jason Takes Manhattan. I didn’t mean to, had planned on hating it, but damn if there isn’t something about it that I like. When folks talk about the least favorite F13 movie Manhattan usually tops the list, however I think it deserves a reevaluation, as there’s some really good stuff in there (as well as bad, which I’ll address). Kane Hodder returns as Jason, and dare I say it, he looks like he’s having a lot of fun this time around. I admit when I first heard they were making this movie, I rolled my eyes and assumed they were really scraping the bottom of the barrel. Perhaps they were, and to many, they’d see it that way, but as I watched it again, it was like seeing a whole new film.
The movie opens with a voice over with shots of NYC in the background. All of those scenes are a foreshadowing of things to come and people we’ll see again, if not for very long. After the credits we then see two teens screwing around on a houseboat on Crystal Lake. It’s a stormy night (of course!), and when Jim drops the anchor, it gets wedged against underwater cables which break, and the electricity from them brings Jason back to life. Again. This time however he’s pretty waterlogged and squishy looking, but as strong as ever. So here we have the first two kills in the first 10 minutes of the movie, a good setup for the rest to come. There’s nearly 2 dozen kills in this one, and while some are done offscreen, many are pretty memorable.
Anyway, we then see a group of twenty something high school graduates boarding a yacht bound for NYC (When I say twenty something, I mean age, not the amount of teens). The logistics of this trip are probably best not thought about, just assume it was possible, and leave it at that. It’s probably one of the smallest graduating classes I’ve ever seen. Regardless all the typical stereotypes are represented, including this year’s addition, Rocker Chick. Of course Jason sneaks aboard, I mean what would a cruise be without a machete wielding maniac?
We also get to meet the main players: there’s Rennie the femme fatale, Sean who plays her wannabe boyfriend, Rennie’s asshole Uncle Charles who also happens to be a teacher and chaperone, and finally we have Mrs. Van Deusen another teacher, who I’m sure was called Van Douchen many times behind her back. Oh and there’s the geek with the video camera, but he’s not all that interesting to talk about, so I won’t. And almost forgot, we have the stuck up bitch as well, a definite holdover from the last movie.
Jason wastes no time in getting to work, and the first victim on the ship is Rocker Chick who is bludgeoned with her own guitar. To be honest, I can’t blame Jason for this one, her music was awful. His next victim is also one of my all time favorite kills in the entire series, not because it was especially graphic or unusual, it was just such a wtf moment. After some boxing workouts , one of the fighters hoes into the steam room and puts a towel over his face, as you do in these situations. Jason pops in, takes one of the hot rocks and jams it into the guy’s stomach giving him the first jeweled navel. I’m not sure what it is about this kill, but I love it.
There’s a subplot of sorts with Rennie having either visions or hallucinations of Jason being drowned as a child. It’s later revealed that her asshole Uncle had tried to teach her to swim by throwing her into the lake, where Jason tried to drag her down with him. Poor Jason, never much of a ladies man, was he? I only mention it now, because I’ll more than likely forget about it later on. The thing is, when we see Jason for the first time as a kid, he looks perfectly normal. As the movie progresses we see him get more and more deformed. I’m not sure what the reason for that is; maybe being under the water did that? Who knows-it’s one of the many mysteries this movie offers with no real answer.
The next mystery is how exactly did Jason get to NYC. After killing everyone but the four main characters plus the token black guy, the yacht had been pretty much destroyed by fire. The heroes (for lack of a better word), end up rowing a life raft all the way to the Statue of Liberty. They get off the small dinghy, and we then see Jason rise from the water and crawl up onto the dock. Again, it’s one of those try not to think about it too much things.
Rennie no sooner on the dock than she gets kidnapped by a couple of goons who inject her with Heroin and planning on a little rape action later on. Pissed they were cutting in on his action, Jason kills them both, allowing her to escape, no worse the wear from the drug she was shot up with. Apparently no one has ever taken heroin before, let alone shot up (the way we see one of the thugs doing it is laughable), because she would pretty much be on the nod for awhile. Regardless she catches up with her Uncle, her bf and other teacher. Julius is killed by Jason with one punch to the head, literally knocking it off. We then see it fly off the roof they were on, and land in a garbage bin.
The culmination of all this mayhem lies in the sewers, where toxic waste runs through every night. Now why the puddles of it and the chemical smell doesn’t do anything to them, is yet another mystery. However, Jason is caught in a flood of the stuff, and when it runs its course, we see Jason, not as the disfigured man, but the normal child-as if he’d been stuck in a shell and was now free. Yeah, you guessed it, that’s yet another mystery.
Jason takes Manhattan tries to play it straight for the most part, certainly more than some of the others. If the canon gets a little twisted, and things don’t make a lot of sense, it doesn’t matter because it’s a lot of fun. It’s one of the longest of the F13 movies, but it moves at a fast pace. It also looks fantastic, belying the small budget they had. As the writer and director, Rob Heddon did a good job, and it’s just sad the movie didn’t get the credit it deserves. It’s certainly the most underrated.
I give Friday the 13th Part VII: Jason Takes Manhattan 6.5 machetes.
This episode is 95% Trump free. Todd, Kyle and Scott talk about Jeff Flake’s speech on the Senate floor, video games and why Gamestop sucks, and we end it with Todd talking about why we need to stop using the word privilege.
Meet the new blood, same as the old blood. This was the installment that was supposed to have the Jason and Freddie Kreuger showdown, but as these things go, that didn’t happen until much later. Fifteen years later to be precise. The idea was then floated about that it could be a Jason vs Carrie, which the producer’s liked. One producer in particular wanted this installment to be unlike any other of the sequels, and had even suggested Fellini direct it.
Well, Fellini didn’t pan out, so we got makeup effects wizard, John Carl Buechler. While not the strongest entry, it’s certainly not the worst, and will be remembered for several things: 1) Kane Hodder’s first appearance as Jason 2) Jason’s iconic look was cemented in this entry, and 3) death by sleeping bag. The second one can really be attributed to Kane Hodder as his mere presence onscreen is enough to make one shit their pants. He;s big, imposing, and more importantly, silent and seemingly everywhere.
Like other past sequels this one opens up with a montage of the previous movies to remind everyone of the Dickensian plot and characters. After all it had been a whole two years since the last movie, and people had forgotten this masterpiece of cinema. Once that’s over, we see a little girl Tina, who is telekinetic, and kills her father in a fit of rage after he hit her mother. The dock collapses under him and he drowns. By sheer coincidence it happens to be the same lake that Jason was left in, in the last movie.
We flash forward ten years or so, and Tina and her mother, plus her psychiatrist are going back to the house on the lake so Tina can confront her past and move on. She apparently has been in a mental hospital for the past decade. Her shrink, Dr. Crews is played by none other than the Weekend at Bernie’s corpse, Terry Kiser. In another coincidence he gets to play a corpse here as well, at least for a little while anyway. It becomes quite clear that the good doctor has no interest in treating Tina, he only cares about her abilities.
After a particularly tense session with him, Tina runs to the dock, and ends up raising Jason from the (un)dead. As far as reviving Jason goes, this is pretty original, in a check your brain at the door type way. Since Jason has never been one to waste time, he sets about killing people immediately. He comes across a couple lost on the woods. They’re on their way to the other house for a surprise birthday party. Surprise may be an understatement here, as Jason makes short work of both of them and then goes on the hunt for more.
Lucky for him there are plenty to choose from. We have the token minority, the geek, the bitch, the bookworm, the slut, and the stoner, to name just a few. One of the members, let’s say the bad boy who’s repented, takes an interest in Tina, and even when she freaks out because she sees a vision of someone being murdered, he still goes after her. As it turns out, Jason does murder the person she sees in her vision, the cousin of Nick, and the reason for the party. Jason also kills his girlfriend and another couple off gallivanting in the woods.
Tina has a row with her Doctor who threatens to commit her against the mother’s wishes, and she runs from the house. The mother and doctor go after her and run into Mr. V with yet another sharp bladed instrument. I’m not sure where he gets all of these things but the kills are far more entertaining for having them. The Doctor uses Tina’s mother as a shield and Jason kills her. He runs away but it’s not too long before he’s tracked down and dispatched with. Because the producer on this sequel wanted to class it up a bit, the kills are virtually bloodless. You don’t see a ton of gore, and most of the effects were left on the cutting room floor. While it doesn’t necessarily take away from the movie, it certainly seems to defeat the purpose. What this producer didn’t understand is the things she disliked are exactly what the audiences wanted to see. As a result the picture suffers for it, but not for lack of trying on Buechler’s part.
As one can imagine when dealing with a teen with telekinesis, there’s a showdown with Jason and it’s actually pretty good, if a bit cheesy. The special effects aren’t bad for the time, and it’s fun to watch. Jason of course gets blown up in the house, yet somehow manages to return intact, only to be dragged to the bottom of the lake by Tina’s father. If the movie has a weakness it’s this second ending with Jason returning and the father comes out of the lake. It’s silly, pointless and seems like a cheap trick.
Buechler does a commendable job on a script that really could have been far worse, and by rights it should have been worse, yet he lifted it up. While he’ll never be known as a classic director of the genre, he certainly can make an entertaining movie, and in the end that’s about all you can hope for.
I give Friday the 13th Part VII: The New Blood 6 machetes.